Hump Day

24 02 2010

Just another hump day… Digital Underground style. This video is from The Arsenio Show (circa 1990). Pretty amazing. Shock G aka “Humpty Hump” does a great live Humpty Dance. As you probably know Tupac launched his career by way of this group. Just take a look at the guy in red, it’s a 19 year old Shakur getting his humpty on.

Shock G was always so recognizable because of his trademark nose piece. Seems like a ridiculous look but it totally worked for Groucho Marx.

Humpty Hump


If you are a Digital Underground fan you would most certainly enjoy this cameo in a bad Dan Akroyd movie from ’91 called Nothing But Trouble… so bad it’s good (maybe).

Beware The Two Headed Freap

18 02 2010

I’ve been looking for a Ronnie Foster album from 1972 off Blue Note entitled The Two Headed Freap. I’ve tried to track it down on vinyl for a while now but just can’t seem to find a copy in my local record shops. It’s a great “acid-jazz” album that features this cult(ish) classic “Mystic Brew”. The tune may sound familiar as it has been sampled numerous times by a hand full of hip hop artists. The most notable in my mind is A Tribe Called Quest’s “Electric Relaxation”, from their 1994 album Midnight Marauders. It’s a great example of how a sample can be used to create a piece that stands on it’s own. In this case, it may even be regarded as better… well, certainly more successful. That aside, there’s definitely something slightly more compelling about the Tribe song than the original. But that’s mostly attributed to the fact that this early acid jazz was really watered down at the time plus Tribe tends to make a lot out of a little as seen in most of their work. Also notable is the fact that the beat is a three bar loop which is very uncommon in Hip Hop. Most popular music utilizes even meters and/or time signatures but the cool thing about 3 (odd) is that once you double it, it becomes 6 (even) so you can be playful with the feel, taking it in either an odd or even direction. Wayne Shorter’s “Footprints” is a phenomenal example of this in the jazz world.

Below is Ronnie’s “Mystic Brew” and A Tribe Called Quests’ “Electric Relaxation”. To give it another dimension, I have also included contemporary jazz pianist, Vijay Iyer’s version of “Mystic Brew” from his 2009 album Historicity. I like to place them all side by side to see/hear the transformations and adaptations that have occurred over the years.

Other uses of this sample include:

Madlib’s “Mystic Bounce” off Shades of Blue

Pete Rock’s ’99 Mix Tape version off Diggin’ On Blue

Freeway’s “Alright” off Philadelphia Freewayinstrumental version too

Marco Polo’s “Relax” off Port Authority

Joy Jones’ “Over” off GodChild Directed

Rell’s “Real Love” (Single produced by Kanye West)
Other Links:

More about Ronnie Foster’s career

More on Sampling as an industry practice

Academic brief on Sampling

Ref: Wayne Shorter’s Footprints from Adam’s Apple (Blue Note ca 1966)


11 02 2010

NYC got hit with a huge blizzard yesterday. It snowed ALL day. I had asked a friend if they had any good snow songs and his response could not have been better… “Informer”. So, it’s not about snow but, instead, by the artist Snow. You know, the nerdy-ish white guy who sing-raps in a language no one fully understands. Usually when people try to imitate this one it’s just the word Informer followed by a bunch of gibberish. I’m sure you haven’t seen nor heard this one in about a decade. Here is a little early 90’s nostalgia. It’s pretty hilarious! Just terrible, even by 90’s standards.

Here is a fantastic In Living Color spoof of the same video, featuring Jim Carrey… check it out. It’s shocking that In Living Color seems less dated than the Snow video.

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