Happy Valentine’s Day

14 02 2011

The timing of Valentine’s Day this year makes for a weird posting day. With the Grammy’s being last night, I’m inclined to write a bit about the events of the evening. But if given the choice, I’d much rather share a little song I have been digging lately. It couldn’t be a more appropriate song choice for V-Day. It’s “All I Want Is You” by Barry Louis Polisar. This song is really fun and the lyrics are very sweet. With a wedding in my near future (yes, The GG is getting married), I have been considering this tune for some part of the big day. Stay tuned for more on that.

You may actually recognize this from the Juno soundtrack. Check it out… and share it with your Valentine on this special day.





Pops Staples | Nobody’s Fault But Mine

25 01 2011

Here is Pops Staples (as in The Staples Singers & Mavis’ dad) doing an old blues tune called “Nobody’s Fault But Mine” on the Bobby Jones Gospel Hour. Everybody knows that Pops is a mean soul singer but he is one hell of a guitarist too. It’s really cool to see him digging into this solo gospel version of the Blind Willie Johnson classic. I love to hear him all by himself with just a Telecaster guitar and that soulful voice.

You know what they say, you can take the boy out of Mississippi but you can’t take Mississippi out of the boy. Pops truly is a delta legend and one that I have a real soft spot for. Although, the Staple Singers haven’t gotten much love here on The GG, they are a certainly favorite of mine. With that said, you can expect a few  pieces featuring Mavis and the family in the near future. Now check out the video below to see what old Roebuck ‘Pops’ Staples was getting into during the latter part of his career. It’s pretty awesome.

There is an additional interview on the end of this video. It’s not really that interesting but if you’re into vintage politics alongside your vintage music, you may dig it.





RIP Gerry Rafferty

5 01 2011

Gerry Rafferty died early this week at age 63. Gerry was the frontman of 70’s era rock group Stealers Wheel. Gerry is most famous for his hit “Stuck In The Middle”, a tune that is often confused as a Bob Dylan song and rightfully so as it was written to mimic his lyrical style. The song was released in 1973 on their self-titled album. It instantly became a hit, rising to #6 on the charts and has since been further popularized due to it’s use in the cult-classic Quentin Tarantino film Reservoir Dogs. Here’s a 70-style music video for the song… I love it because its so dated.





Vintage Smokey Robinson & the Miracles

15 12 2010

I just found this old video of The Miracles from 1967. At this point they were just billed as The Miracles. It wasn’t until later, that Smokey’s named was brought to the fore.  Despite The Miracles being Motown’s first really successful group, Berry Gordy decided it was clever marketing to lead with Smokey’s name. After all, he  was one of the biggest songwriters and producers in the business. In their almost 20 years, The Miracles charted over 50 hits, 26 of which reached the top ten. Not to mention that Smokey has written and/or produced countless other hits for Motown.

I’m not exactly sure where this footage is from, but it’s a great little medley of two early 60’s classics, “(Come ‘Round Here) I’m The One You Need” and “More Love”. Whether you’re a Motown fan or not, it’s hard to deny that this was truly a great era in music.

While we’re checking out some vintage Smokey, here are just a few more. The first is “You Really Got A Hold On Me”. While the second is “I Second That Emotion” …and in color no less! Take a look at these dance routines. They’re where it’s at, no?





Roger Waters | The Wall [Live 2010]

13 12 2010

This past week I saw Pink Floyd frontman, Roger Waters at the Staples Center in Los Angeles. In case you hadn’t already heard, Roger has redesigned his old live production of The Wall since it debuted  30 years ago. If that original 1980 tour was spectacle, this updated version is a spectacular. I mean that in the truest sense of the word. Not only has Waters brought it up to date in terms of message and context, but in technology as well. Yes, the concept is similar at the core (build a HUGE wall and knock it down) but this show is produced incredibly well. I have seen 100’s of live performances, and I think this may be the most thrilling of them. Some feat when you consider I’m talking about everything: big venues, small venues and everything in between; rock, jazz, blues, and all the rest; music, theater and even sporting events. Regardless of the magnitude, style, or even medium, this left me completely floored.

When they begin the performance the wall is only partly built, with the band playing just behind it in full view. As the night progresses, the wall is built up brick by brick. As ths goes on, you start to see less and less of the band until they are only viewable through a few missing bricks. And then, like that, they are gone. They continue to play out view and all the while there are amazing projections on the wall, both providing context for the music and creating atmospherics to set the mood. There are even puppets, pyrotechnics and other cool props, all of which just add to the ambiance. The whole experience is really amazing throughout and totally engaging like I’ve never seen before.

By intermission the wall is fully built, with the band still playing from behind it’s cover. As the second set opens they continue the routine, until there is a moment where Roger appears from an odd compartment that unfolds from the wall’s exterior. It’s a “hotel room”, where he sits in an armchair and sings “Nobody’s Home”. True theater and a really cool addition to the performance. Soon after, the band is moved to the front of the wall to “perform” some other more theatrical bits. Then, it’s just Roger out front, with the rest of the band in their positions hidden behind. For various solos and singing parts other members of the band appear 35 feet in the air at the very top of the wall. The guitar solo on “Comfortably Numb” is a great moment where they do this. Finally, there is this huge crescendo that is really effectively created using the projections and the mood rather than merely the tempo. At the climax, the wall is toppled to the ground, revealing the band behind.  At which point the band comes out to the forestage bearing only acoustic instruments and play “Outside the Wall”. After a few thanks and some introductions, each member marches of stage one by one until Roger says his final farewell.

The whole thing is mind blowing and unfortunately my account, these photos and any videos will never do it justice. Whether you’re a fan of the music or not, this is a show you MUST see. There are still tour dates available into 2011. I recommend hitting stubhub to see if you can catch it. Quality live footage from the show is rather difficult to find but there are some nice promotional videos that were designed to tease you on the experience. Check out these few. The first 2 provide a solid picture of the show with actual HD footage, there are even a few fan interviews and testimonials too. The third provides some great insight into Roger’s feelings on the music, the show and it’s design. That one, I think, is particularly good.

Now, I purposely avoided all of this stuff online as I wanted to go in totally blind, which is definitely why it was so impactful. However, if you are not going to be able to see it live, you have to check these out to know what the hell this thing is all about.

If you’re going to go ahead and spoil this by sneaking a peek, you might as well watch this footage shot from the audience of “The Trial” into “Outside the Wall”. This piece in particular, gave me goosebumps. It’s the whole thing. The dénouement, if you will. The footage is amateur but you absolutely get a sense of what it’s like. Check it out…





Kim Carnes | Bette Davis Eyes

19 11 2010

I’ve had this Kim Carnes’ song, “Bette Davis Eyes” stuck in my head for 2 days. Whether you like it or not, it’s hard to forget this one. So, I figure, if I have to suffer, then everybody should share in on it. OK. Perhaps that’s a bit harsh. It’s actually a pretty great song… for 1981 especially. The song, the lyrics, the video; everything smacks of comedy with this one. I’ve got to say though,  the funniest thing to me is how Kim’s trademark raspy voice is regularly mistaken for Rod Stewart. Come to think of it, Rod would probably do a fantastic version of this tune. Hoefully, it’ll make his next ‘great American songbook’ album.

I pick on this tune but it is definitely a guilty pleasure of mine and was actually really successful in it’s time. In 1981 it was one of the most popular songs of the entire year, second only to Olivia Newton John’s “Let’s Get Physical”. And, I have to hand it to Kim Carnes. She not only sings well, she is also quite the instrumentalist; playing guitar, keyboards and harmonica. Now, none of that talent is really showcased in this classic music video but it’s pretty amazing nevertheless. Check it out…





Damn! Jake Shimabukuro Ukelele Covers

28 10 2010

There are not too many videos of Jake Shimabukuro out there but the ones that do exist are pretty fantastic. Jake is an exceptional ukelele player, maybe even a virtuoso. He has some incredible originals but it is his long list of covers that make him so appealing. There are three below that are pretty impressive. The first is George Harrison’s “While My Guitar Gently Weeps”. He does a bunch of great Beatles covers but this is really cool.

This next video is Michael Jackson’s “Thriller”. Obviously a great song, this cover is amazing. The coolest thing is to see how he breaks down the arrangement and translates it to Ukelele.

This next one is pretty cool too. It’s Queen’s “Bohemian Rhapsody”. Like the Queen version, it starts out pretty mellow and then gets really intense in the latter half of the song. Again, amazing arrangement and some down right crazy chops… for a Uke.

For a few more cool covers check out these links:

Led Zeppelin’s “Going To California”

The Beatles’ “In My Life”

Cindi Lauper’s “Time After Time”








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