James Ray | I Got My Mind Set On You

8 02 2011

Yes, that title should sound familiar to you. That’s because George Harrison had a huge hit with this tune in 1987. “I Got My Mind Set On You” was featured on his otherwise lackluster release Cloud Nine. Considering the popularity of the Harrison version it’s remarkable that so few people are aware that it’s actually a cover. The song was written by Rudy Clark and recorded by James Ray in 1962. No doubt, it’s a great song through and through. Whether you like the Harrison rendition or the original it’s a classic.

Interestingly enough, of George’s three #1 hit singles in the US, this was the only one that was not self-penned and the only one without religious overtones. Also, not only was this the last US #1 hit for ol’ Georgie boy, but it was also the last from any of the other ex-Beatles. To hear Harrison’s version click HERE. As you might expect, I’m partial to Ray’s original…

As enjoyable as that 1987 attempt was, I was floored when I first heard James Ray’s original. It’s just so raw and authentic, especially when compared to Harrison’s version. For me, this was the way the song was intended. The arrangement is so natural feeling that I almost can’t imagine it any other way. How Ray never had his own hit with song remains a mystery to me.





Al Green | Tired Of Being Alone

1 02 2011

Check out this footage of Al Green, circa 1972. This Soul School TV performance is Al with some serious swagger. It’s the look, the voice, the hair.  The song is “Tired Of Being Alone” from Green’s 1971 album Al Green Gets Next To You. It was was written in 1968 and originally intended for his previous album Green Is Blues. It never made that album due to numerous recording and production issues. But, alas, it was worth the wait. As you can see, he  definitely perfected it on the second attempt.  It was an instant hit, reaching #7 when it was released and has since been named as #293 on Rolling Stone’s 500 Greatest Songs list.

There are numerous covers of this famous tune. Although, none are half as good as Al’s. If I had to choose one, I’m fond of this Subdudes version. Check it out.





Pops Staples | Nobody’s Fault But Mine

25 01 2011

Here is Pops Staples (as in The Staples Singers & Mavis’ dad) doing an old blues tune called “Nobody’s Fault But Mine” on the Bobby Jones Gospel Hour. Everybody knows that Pops is a mean soul singer but he is one hell of a guitarist too. It’s really cool to see him digging into this solo gospel version of the Blind Willie Johnson classic. I love to hear him all by himself with just a Telecaster guitar and that soulful voice.

You know what they say, you can take the boy out of Mississippi but you can’t take Mississippi out of the boy. Pops truly is a delta legend and one that I have a real soft spot for. Although, the Staple Singers haven’t gotten much love here on The GG, they are a certainly favorite of mine. With that said, you can expect a few  pieces featuring Mavis and the family in the near future. Now check out the video below to see what old Roebuck ‘Pops’ Staples was getting into during the latter part of his career. It’s pretty awesome.

There is an additional interview on the end of this video. It’s not really that interesting but if you’re into vintage politics alongside your vintage music, you may dig it.





Vintage Smokey Robinson & the Miracles

15 12 2010

I just found this old video of The Miracles from 1967. At this point they were just billed as The Miracles. It wasn’t until later, that Smokey’s named was brought to the fore.  Despite The Miracles being Motown’s first really successful group, Berry Gordy decided it was clever marketing to lead with Smokey’s name. After all, he  was one of the biggest songwriters and producers in the business. In their almost 20 years, The Miracles charted over 50 hits, 26 of which reached the top ten. Not to mention that Smokey has written and/or produced countless other hits for Motown.

I’m not exactly sure where this footage is from, but it’s a great little medley of two early 60’s classics, “(Come ‘Round Here) I’m The One You Need” and “More Love”. Whether you’re a Motown fan or not, it’s hard to deny that this was truly a great era in music.

While we’re checking out some vintage Smokey, here are just a few more. The first is “You Really Got A Hold On Me”. While the second is “I Second That Emotion” …and in color no less! Take a look at these dance routines. They’re where it’s at, no?





Aretha Franklin | I Say A Little Prayer

12 10 2010

This is a great video of Aretha Franklin performing “I Say A Little Prayer”. It was originally released on her 1968 album Aretha Now, but I like this live version from 1970 better. Actually, it’s a Burt Bacharach tune that was written for Dionne Warwick, who recorded it in 1967. Her version is also very good, but Aretha is the best.





The Isley Bros. | Why When Love Is Gone

15 09 2010

I really love this old Isley Brothers tune, “Why When Love Is Gone”. It’s from the earler part of their career, during a short stint with Berry Gordy at Motown. It was recorded in 1967 on the Motown subsidiary Tamla Records and released the same year. It absolutely is a soul tune but it also has elements more a kin to the British rock music from the same period. It’s kinda like The Animals meets Marvin Gaye… really good stuff. As great as this song is though, it was never a hit single for The Isley Brother or any other Motown artist for that matter (there are versions by The Originals and Kim Weston too). In fact it was never even considered as a potential single release. Instead, tt was released on the group’s second and final album for Motown, Soul on the Rocks.  Given the attention the song gets 50 years later it’s hard to believe it could be overlooked but then again, Berry Gordy was sinking all his resources into act like The Temptations and The Supremes. Don’t get me wrong, they’re amazing acts, but this tune is a classic.

References:

More info on The Isley Brothers

More info on Soul on the Rocks

More info on Motown

More info on Berry Gordy

More info on O’Kelly Isley Jr.

More info on Ronald Isley

More info on Rudolph Isley





Young-Holt Unlimited | Soulful Strut

14 09 2010

Young-Holt Unlimited. It’s probably one of the worst band names EVER. Fortunately for these guys, they can really play. Chicago based, they were a late 60’s Soul/Jazz Instrumental group. Drummer Isaac “Red” Holt and bassist Eldee Young, formerly members of Ramsey Lewis’ jazz trio broke off to do their own thing in 1966. The first incarnation of their group was called The Young-Holt Trio. It’s not exactly original but it’s got a nicer ring to it than Unlimited. In 1968 they replaced pianist Don Walker with Ken Chaney, at which point they changed the name… I’m still confused about this name. Names aside, they are a solid band. “Soulful Strut” was their biggest hit, reaching #3, but they had other minor hits along the way. Many of their albums include soul jazz covers of some classics that were relatively well received back in their heyday. First check out “Soulful Strut” and then I have a few of their covers I’m fond of.

Oddly enough, “Soulful Strut” is actually the backing instrumental to another less popular song, “Am I the Same Girl”. Recorded by Barbara Ackerly, the wife of the songs writer Eugene Record, it was recorded in early 1968 but was shelved by the label. Shortly thereafter, the producer Carl Davis removed her voice from the track, replaced it with a piano solo by Floyd Morris, and released the resulting track in November 1968 as “Soulful Strut”. Although credited to Young-Holt Unlimited, neither Young nor Holt are believed to have played on the recorded track.  The instrumental is simply credited to the Brunswick Studio Band. which could include Red and Eldee, but it’s not likely. It sounds like some pretty fishy stuff, but it is confirmed that these they went on to perform the song for many years after it’s release.

Two songs I have featured on GG before are Bobby Hebb’s “Sunny” and The Stylistics “People Make The World Go Around”. Both at GREAT tunes that get a lot of attention in the Soul/R&B community. Cover versions are abound so these two versions don’t exactly rank at the top of all that are available but I like these. The cool thing about these guys is that they have a very distinct sound in their playing. Although it’s very much of it’s time, it is very stylized, which plays to their Jazz roots.

References:

More info on Young-Holt Unlimited

More info on “Soulful Strut”

More info on Ramsey Lewis

Previous GG Post: “Sunny”

Previous GG Post: “People Make…”








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